CatrianiPlay: The Most Used Melody in Pop Music

catrianiplay

I now dub this “CatrianiPlay: The Most Used Melody in Pop Music“. Aside from “Pachelbel’s Canon” which is commonly referenced as one of the most re-used progressions in modern music the following songs all resemble a similar melodic structure. They are not necessarily note-for-note duplicates but they sound alike.

In my first post for this soundalike we saw Reuters reporting that Joe Satriani filed a copyright infringement suit against Coldplay claiming that the, “song ‘Viva La Vida’ incorporated ‘substantial original portions’ of his 2004 instrumental ‘If I Could Fly.'” Then just a few months later Cat Stevens publicly stated that “Viva La Vida” has some similarities to his epic 1973 track “Foreigner Suite” stating , ” [Viva La Vida] definitely sounds like it…It has such logical chords and the melody has to be what it is…” In addition Creaky Boards, a local Brooklyn band posted a clip on YouTube of their ironically titled track “The Songs I Didn’t Write” pointing out the similarities of “Viva La Vida” (apparently released long after Creaky Boards had been performing their song live).

Just when I thought I had all of the examples of this melody in modern pop music I was thrown two more by Paradojan followed by one more from Travis (who has recently submitted a whole slew of great songs). We can now add Mireille Mathieu & Patrick Duffy‘s “Together We’re Strong” (1983),  Reamonn‘s “Tonight” (2006) AND Enanitos Verdes – “Frances Limon” (2004) (2002).

And now, in chronological order:








I made a video too:

The Most Used Melody in Pop Music

Corrections in video
“Frances Limon” was released in 2002, not 2004.
http://es.wikipedia.org/wiki/Amores_lejanos

“Raemonn” is actually spelled “Reamonn

Try a Random Soundalike

133 Replies to “CatrianiPlay: The Most Used Melody in Pop Music”

  1. Mark Adams

    This may be the most used melody in pop music, but rock ‘n’ roll has its own much used melody, or similar melodies anyway. There may be a few repeated notes, but compare Good Golly Miss Molly (1956), written by John Marascalco and Robert ‘Bumps’ Blackwell and performed originally by Little Richard, then others, including Creedence (1968); Jailhouse Rock (1957), written by Jerry Leiber and Mike Stoller and performed by Elvis; Shake a Tail Feather (1963), written by Otha Hayes, Verlie Rice and Andre Williams and originally performed by The Five Du-Tones and Travelling Band by CCR (1970), which caused legal problems for John Fogerty due to the similarity to Good Golly Miss Molly, until Fantasy Records bought the rights. I don’t think it was intentional, after all, you wouldn’t rip off a song you performed a cover of, that would be too obvious to listeners.
    http://www.last.fm/music/Little+Richard/_/Good+Golly+Miss+Molly#t=34s

    http://www.youtube.com/watch?v=XaKVs5mJ4Bg&feature=kp#t=07s

    Reply
    1. Mark Adams

      You can also add Old Time Rock and Roll (1978), written by George Jackson and recorded by Bob Seger before famously appearing in Risky Business, and Blame it On the Love of Rock & Roll by Bon Jovi (1992), which also reminds me of Simply Irresistible by Robert Palmer (1988) and the riff reminds me of Black or White by Michael Jackson (1991). I could suggest Ace of Spades by Motorhead (1980), but that’s all on one note. I guess one of the simplest ways to reference older music is by using a similar melody.

      Reply
      1. Mark Adams

        And Keep a Knocking, possibly written by Percy Bradford (c1928) and performed by many artists. Here is the Little Richard version.

        Reply
        1. Mark Adams

          And Sea Cruise, written by Huey ‘Piano’ Smith and recorded by Frankie Ford (1959), covered by John Fogerty in 1975. The following year he recorded the unreleased Hoodoo Man, which has a similar melody.

          Reply
          1. Mark Adams

            I don’t know where I got that info from, maybe I was confusing it with the Winifred Atwell ragtime medley of the same name. Let’s Have a Party was written by Jessie Mae Robinson and Wanda Jackson didn’t record it until 1958.

    2. Mark Adams

      For another Elvis similarity, Return to Sender (1962) sounds kind of like Teenager in Love (1959), written by Doc Pomus and Mort Shuman, performed by Dion and the Belmonts, but part of that in turn sounds like (Let Me Be Your) Teddy Bear, written by Kal Mann and Bernie Lowe and performed by Elvis, but this part is mainly on two notes and Bad by Michael Jackson (1987) also sounds like these.

      https://www.youtube.com/watch?v=QmOiAwtvFxk&feature=kp
      http://www.youtube.com/watch?v=0CnTS39cL50

      Reply
      1. Mark Adams

        Elvis also recorded Love Me Tender, which has the same tune as Aura Lea and The Eyes Of Texas (written 1903), set to the tune of I’ve Been Working on the Railroad, but he didn’t claim to have written either of them.

        Reply
      2. Mark Adams

        That two note melody in (Let Me Be Your) Teddy Bear, Teenager in Love and Return to Sender is similar to one found in the stop verses or whatever of old blues songs such as Sweet Home Chicago by Robert Johnson (1936). I do prefer the Blues Brothers version, though.

        Reply
    3. Mark Adams

      Bon Jovi’s I’ll Sleep When I’m Dead, off of the same album as Blame it On the Love of Rock ‘n’ Roll, sounds very similar.

      Reply
  2. Mark Adams

    I saw the new South Australian tourism ad, and the Catrianiplay melody is also in this. I guess I’ve just heard too much music not to notice these things.

    Reply
      1. Mark Adams

        Sorry, I left it too long and so it’s not as current or easy to find. I have an interesting story though: Once at TAFE we came up with a chord progression at random and improvised over it and the Catrianiplay melody came up in one of our solos and no, it wasn’t recorded. But it does show that there is something natural about the Catrianiplay melody.

        Reply

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